• NEWS / CONTACT
  • FILMS AND VIDEOS
    • Kafka For Kids
    • Explaining the Law to Kwame
    • The Dust Channel
    • The Buried Alive Videos
    • Out
    • Hilarious
    • The Confessions of Roee Rosen
    • Two Women And a Man
    • Doctor Cross
  • ART PROJECTS / FICTIVE PERSONAE
    • The Gaza War Tattoos
    • Lucy is Sick
    • The Standard Edition
    • Maxim Komar-Myshkin, 1978–2011
    • Justine Frank, 1900–1943
    • Live and Die as Eva Braun
    • The Funeral Paintings
    • Frosted Self Portraits
    • Shitboy and Other Heroes
    • Professionals
    • Martyr Paintings
    • The Blind Merchant
    • Miscellaneous
  • WRITINGS AND ARTIST BOOKS
  • TEXTS ON ROEE ROSEN
  • CV
  • Menu

ROEE ROSEN

  • NEWS / CONTACT
  • FILMS AND VIDEOS
    • Kafka For Kids
    • Explaining the Law to Kwame
    • The Dust Channel
    • The Buried Alive Videos
    • Out
    • Hilarious
    • The Confessions of Roee Rosen
    • Two Women And a Man
    • Doctor Cross
  • ART PROJECTS / FICTIVE PERSONAE
    • The Gaza War Tattoos
    • Lucy is Sick
    • The Standard Edition
    • Maxim Komar-Myshkin, 1978–2011
    • Justine Frank, 1900–1943
    • Live and Die as Eva Braun
    • The Funeral Paintings
    • Frosted Self Portraits
    • Shitboy and Other Heroes
    • Professionals
    • Martyr Paintings
    • The Blind Merchant
    • Miscellaneous
  • WRITINGS AND ARTIST BOOKS
  • TEXTS ON ROEE ROSEN
  • CV
A Group Exhibition06062016_00000.jpg

Two texts from the catalogue Roee Rosen, A Group Exhibition (The Tel Aviv Museum of Art, 2016)

Ekaterina Degot, “Between Joke and Terror: Roee Rosen’s Unsettling Mimesis.”

Joshua Simon, “A Hunchbacked Dwarf, a Cross-Eyed Angel, a Woman-Monkey, and a Shit Boy.”

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Texts on Roee Rosen’s Films

Jean Pierre Rehm, “The Infamous Lives of Roee Rosen”, Cinema Scope, issue 47, summer 2011
pp. 15-17

Olaf Möller, “Hurts So Good, The Patently Provocative Roee Rosen,” Film Comment, January-February 2011, pp. 20-21

Barbara Wurm, “Spitting Out the Truth,” Sight & Sound, August 2013, p. 61

Shelley Harten, “Between Two Worlds, Exorcism, Gender, and the Israeli Nation in Roee Rosen’s Tse,” Kunsttexte.de, January, 2011

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Texts on Justine Frank

Ariella Azoulay, Rosen Is Not Frank, 2005, a lecture delivered at the Vera List Center, The New School, New York

Jörg Heiser, “Greetings from the Benelux Pt. 2, Frieze Blog, February 2009 (on the Antwerp Frank exhibition)

Aaron Schuster, "Justine Frank,” Frieze, issue 123, May 2009

Primary Information, “Justine Frank, Sweet Sweat, Best Books of 2009,” Artforum, December 2009

Texts on Live and Die as Eva Braun

Roger Rothman, “Mourning and Mania, Roee Rosen’s Live and Die as Eva Braun,” in: Roee Rosen, Live and Die as Eva Braun (Jerusalem, The Israel Museum, 1997)

Ariella Azoulay, “The (Spectator’s) Place: Adolf Hitler and Eva Braun,” in: Azoulay, Death’s Showcase, The Power of Image in Contemporary Democracy, translated by Ruvik Danieli (Cambridge, MA, The MIT Press, 2001), pp. 48-75

Norman Kleeblatt, “Confusing Gender and Identity, Roee Rosen’s Live and Die as Eva Braun,” in: Mirroring Evil, Nazi Imagery / Recent Art, (New York, The Jewish Museum, 2001), pp. 101-104

Linda Nochlin, “Mirroring Evil,” ArtForum, Summer, 2002, pp. 167-168

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Texts from the catalogue Roee Rosen, Martyr Paintings (Ramat Gan Museum, 1994)

Edna Goldstaub-Dainotto, “Roee Rosen’s Martyrs: Wicked Hagiographies”

Roberto Maria Dainotto, “Portrait of the Artist as a Blind Martyr”